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Contact me via email at: [email protected] call 828-322-2942. All international shipping costs, insurance and import fees are the responsibility of the buyer. Vessels like this are seen in painted murals being used in 'pouring rituals' relating to water worship. 0 — Peru 250 AD - 450 AD A fine Moche bi-chrome stirrup vessel dating to Phase III. — Peru 1250 AD - 1450 AD Two Inca (Inka) copper axes from the Central Peruvian Highlands. Also included is a stack of (10 or so) smaller pieces that have been fused together by oxidation. Light surface wear, deposits overall and some fire clouding present. In the bottom are three more felines around a central jaguar head. This type is characterized by puffy, slit-like eyes and broad rectangular head with incised hair. The practice of chewing coca leaves began in ancient Peru. The armadillo sits on a low ring-type base with a tall tapered spout above. Nicely painted in dark brown-black against a cream-yellow background. The body has been assembled from approximately eighteen (18) original pieces with break lines restored, a few very small losses replaced and paint enhancements. Sometimes these are called 'chocolate pots' or 'spider-leg' vessels. At the neck are impressed dots and carved linear geometric decoration. Realistically sculpted head, arms, legs and genitals. The figure is most likely a depiction of a shaman transforming into animal form; a jaguar or possibly a monkey. Rows of red stripes on the interior rim and below the glyph band. Minor scrapes, dings and paint loss, but intact with no repairs or restoration. He wears round ear ornaments, a beaded necklace and waist wrap (skirt). Very finely woven in a variety of colors; red, pink, tan, gold, orange and black. Areas of wear and fraying along with some losses and tattered edges, but is a nice example that shows exceptional craftsmanship. The cloth panel is under glass against an acid-free black mat. The wide rim flares gracefully and is decorated with curving and linear geometric designs. As with the plate, the central image is that of the Tlaloc - Rain God deity. 0 — Costa Rica 1100 AD - 1500 AD A nice Nicoya pottery dish with a rare depiction of the "Dancing Monkey Deity". The top of the figures head is open and serves as a pouring spout. — Various Cultures 500 BC - 1500 AD NOTE: Six additional miniatures have been added to this listing. A wide central band of incised geometric designs decorate the exterior. This type of vessel, typically called a 'frutera', has a flared pedestal base topped by a deep bowl painted with complex geometric and zoomorphic designs. 0 — Ecuador 500 BC - 200 AD Small Jamacoaque rattle figure from ancient Ecuador. She wears an asymmetrical headdress with nodes across the forehead, nose ornament, lip plug (labret) and necklace with a large pendant. Condition is very good, near chioce with only very minor repairs and replacements. The most extraordinary feature of this vessel is a fully articulated head that is rotatable within the neck of a human body which protrudes from the side of the bowl. Faint remains of white pigment on the legs and traces of black on body of the vessel. Overall an impressive piece that displays dramatically. See page 62 of the "Art of Costa Rica from the Arthur M. 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Neri - Odessa - Jebo - Mike Shouse - Pantommind - Red Bazar - Kingcrow - Anekdoten - Aeon Zen - Life Line Project - The Loving Tongue - The Other Side - Echo Us - Sbs (Spicy Bits Of Scandal) - The Under - Mr.Buff terracotta construction, nicely painted with geometric designs and stylized sea birds. The rim is decorated with angular and circular forms thought to represent sea dwellers. Ai Apaec is shown here wearing a jaguar headdress and serpent waist wrap (belt). It depicts a standing figure wearing a large, elaborate headdress with two suspension holes, mantle and loin cloth. — Peru 900 BC - 200 BC A large Chavin bottle (vessel) from the northern highlands of ancient Peru, dating to the Formative Period. The blades flare at the end to crescent shape and a sharp edge. Painted overall in an orange-red slip with cream details, topped by a wide flared spout. See Donnan's "Moche Portraits" Page 40, Figure 3.26 for a similar example. Light surface wear, some chipping, minor erosion and paint loss present. Painted overall with a purple-brown color and an orange-red slip on the spout. Breaks to the legs and minor losses replaced as is typical. One chamber is topped by a long straight spout, the other has a standing figure shown drinking from a kero. Both ear spools and small headdress losses have been replaced. The plate is displayed on a custom metal stand which is included as shown. Each jaguar head has circular openings facing inward and pairs of elongated oval (slots) near the top. — West Mexico 100 BC - 250 AD A medium-large redware phytomorphic vessel from the Colima region of ancient West Mexico. Sometimes referred to as corn-poppers based on their form, they were actually used as ceremonial water dippers by the ancient Moche. 0 — Peru 400 AD - 700 AD A nice Moche pottery trumpet from ancient Peru, dating to Phase IV. The long, hollow tubular body is curved (looped) at the top, ending with the mouth-piece. Bi-chrome painted in red and cream with three sets of chevrons radiating outward from the center along with pairs of wavy lines. Displays well on the custom metal stand which is included as shown. The sides are nearly vertical and flare slightly at the rim. 00 — Costa Rica - Panama 1000 AD - 1500 AD An adorable bird vessel from the border area of Costa Rica and Panama (Diquis Zone) dating to the Chirique Phase, Period VI. It depicts a seated figure with hands resting on the knees, polychrome painted with linear designs in shades of red and brown against a cream ground. 0 — Ecuador 300 BC - 300 AD An unusual avian motif pottery rattle sculpture from the Manabi Province of ancient Ecuador. Some light surface wear, scrapes and minor imperfections as would be expected. See Klein and Cevallos "Ecuador - The Secret Art of Pre Columbian Ecuador" for additional scholarly information on ancient Manteno art and culture. A very diverse grouping with examples ranging from the early cultures of Mexico, down through Central America to later cultures of Peru. — Peru 1200 BC - 1000 BC A superb, early Chavin (most likely Pre-Chavin) stone mirror. The finely detailed figure is shown wearing elaborate regalia, large crescent headdress, ear spools with long tassels, tunic and loin cloth. Some light paint enhancements, otherwise all original and completely intact. Although moderately restored, it is a lovely example. As is often seen in Cocle art, these stylized creatures combine serpent, bird and other elements. 0 — Mexico 400 AD - 650 AD Three pottery bowls from Teotihuacan, Mexico. A few small cracks have been stabilized and restored. Considerable dendrites and other deposits present throughout. Hembrough Collection of Illinois Approx 11.5" across x 4" tall 0 — West Mexico 200 BC - 200 AD A large incensario cover from the Michoacan region of Western Mexico. Has small rim chips - 3) Medium tripod (right) - Approx. Lovely bowl with rattle legs and in perfect condition - 0 Priced individually or 0 for all three — Ecuador 3000 BC - 2500 BC Hacha 1 (left). Very unusual in that it depicts a person lying prone on their stomach.Vessels of this type were used to store and transport liquids such as water and corn beer (Chicha). See Christopher Donnan's "Ceramics of Ancient Peru" page 103 for a very similar example and additional information. Highly burnished brown-ware construction with scattered deposits. Assembled from several large pieces with restored break lines. He is grasping his opponent and wields a tumi knife. He is also adorned with very large ear spools and labret (lip plug). An elegant form with a wide flat base, the body has slightly rounded sides that slope gently to a tall tapering neck and spout with a flared rim. Both show signs of extensive use and have darkened patinas. The break lines have been restored and light paint enhancements, but is otherwise original and complete. The figure wears a headdress that contains the whistle. 0 — Costa Rica 1000 AD - 1400 AD Large human effigy figure from Costa Rica's Atlantic Watershed region, carved from tan colored lavastone. Light deposits along with minor scrapes and dings, all consistent with age. They have large eyes and noses along with open-work mouths showing teeth. Prichett - Jacksonville, Florida who purchased them from the previous owner, Hartwell Kennard of Mc Allen, Texas in 1972. — Costa Rica 400 AD - 800 AD Three rare pottery pestles from Costa Rica's Atlantic Watershed Region. Vessel #3, Right - Incised sunburst design around the upper shoulder. Restored neck break and restored stress cracks on the lower body. This olla-form vessel is a stylized cactus showing a wide band of raised ribs and nodes sculpted around the midsection. The body is rounded, angles sharply at the shoulder and tapers toward the neck, then flares gently to a wide spout. This example is beautifully painted using the fine-line method in shades of red against a tan/cream background. The bottom tapers gently and is slightly flared at the end. The shallow bowl sits on three pointy, hollow legs containing rattles. A three-inch section of the rim has been restored along with one leg. Large, hollow ball-shaped feet are slotted diagonally. Well sculpted in the form of a stylized bird with wings in high relief tucked to the sides. The eyes, nose and mouth are in high relief along with large circular ear spools. Originally acquired in 1972 from Hartwell Kennard of Mc Allen, Texas. 5" tall x 3.75" across 5 — Peru 100 AD - 400 AD A Nazca pottery bowl with geometric designs. It depicts three birds perched upon conjoined spheres. Burnished redware surface with a few areas of fire clouding. It has never been overly cleaned and still shows ample deposits along with earthen encrustation in the crevices. Just over 11" tall x 6" across 00 — Costa Rica 300 AD - 700 AD Tripod vessels from the Atlantic Watershed region of Costa Rica. Sizes range from very small to tiny with various types of surfaces; polychromes, blackwares, red and orange wares, etc. Additional provenance and info (specific cultures and dates) on each piece will be provided to the buyer. 1.25" tall to 2.25" tall 50 — Peru 650 AD - 800 AD A nice Wari (Huari) vessel from ancient Peru. 0 each or 0 for all three — Ecuador 300 BC - 400 AD An unusual Jama Coaque figure from ancient Ecuador. This very rare mirror dates to the Wairajirca-Kotosh Period. His arms are raised in a gesture which indicates he is in an induced state of shamanic transformantion. The fruits are accented with red and black stripes delicately painted over a backround of cream slip. Condition is somewhat poor with moderate to heavy restoration. All are brownware terracotta and are nicely burnished. — Mexico 600 AD - 900 AD A nice Classic Period Maya rattle figure from Jaina Island, gulf coast of Campeche, Mexico. A very fine and unusual example that displays impressively! 50 — West Mexico 300 BC - 300 AD Small Colima pottery olla from Western Mexico. A few cracks around the midsection have been stabilized and restored, otherwise intact. It is topped by a heavily adorned female figure wearing ear spools, necklace and decorative headband. Elegant form with rattle legs and only minor repairs - 0 2) Small tripod (left) - Approx. Nicely carved from greenish-gray stone with earthen deposits. The head is tilted upward and hands to their chest.

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